Changing the key signature and pitch in Garageband is pretty straightforward.

• Garageband Ipad Transpose

1) Open your GarageBand file.

Transpose audio regions. You can transpose audio regions in the Audio Editor. Audio regions can be transposed up or down by up to 12 semitones. A semitone is the smallest distance between two musical notes. Notes with the same name repeat every 12 semitones, called an octave. How To Import Audio Files Into GarageBand for iPad. Importing audio files in GarageBand: why do that? Let’s say you or your students have created an audio file in another app or software program – maybe on a laptop even – and now you want to import that audio file into GarageBand because you’d like to use the Smart Drums to add a.

2) At the top-center of the DAW, you should see four icons in order from left-to-right: the beat, the tempo, the time signature, and the key signature.

3) Typically, GarageBand has for its default setting the most common key signature in music, C Major, or as it’s written in the DAW (digital audio workstation), “Cmaj.”

4) Click on the Key Signature – “C Maj.”

5) Change it to the desired Key.

6) The moment you switch the key signature and play the track, you’ll notice it sounds higher or lower. It’s that simple.

But the main problem with this simple method is that you’ll change the key signature for other MIDI instruments in the song, and you may not want this.

For instance, if your drum tracks have been created using a MIDI-keyboard, changing the key signature will likely throw the drums completely off, changing kicks to snares, high-hats to cymbals, and snares to shakers.

Although, in some cases, it leaves your drum-kits alone, depending on what kit you’re using.

If you’re interested in changing the key signature for just one part of the song, check out the section below.

By the way, if you’re new to GarageBand, it doesn’t hurt to turn on the “Quick Help Button,” that way you can you hover your cursor over whatever is in GarageBand, and the software gives you a quick run-down of everything. It’s on the top-left-hand corner. For the vast majority of my “How To Guides,” I’ll be referencing the name of things as titled by GarageBand.

How To Change The Key Of One Track Without Altering The Others

1) Click on the music in your track.

2) Copy the file by double-clicking it, or using the two-finger method on your Mac.

3) Once you’ve copied your file, save it, and then open a new project.

4) Click on “Software Instrument.”

5) Now, set your “Software Instrument” to what you were using before.

6) Copy and paste your music into the track region.

7) Click the Key Signature, and then transpose the track into a new key.

8) Copy your new music.

9) Now close this file and open up your other file from which you copied your track.

10) Open a new “Software Instrument,” and post your transposed music into it.

11) And voila, you’ve successfully changed the key of one track in your DAW.

If you want to change the pitch of ONE and not several “Audio,” tracks, whether it’s a guitar or microphone recording, and without altering the key signature of your other tracks, you have to do it another way, through a plug-in.

Important Things To Note

Teamviewer 11 free download. By modifying the key signature of your music in GarageBand, the pitch of the music will change either up or down, in accordance with a particular key signature. There’s a difference between changing just the pitch and the key signature.

Assuming you’re new to musical concepts, pitch refers to how low or high the note sounds. A high note means the sound wave is vibrating very fast, and a low sound means that it’s vibrating very slow. This is why when fast-forwarding a tape, the pitch of the sound is higher rather than lower.

Altering the key signature of a song transposes the music into a different key, so the music will sound the same, just at a higher or lower pitch, depending on to what key you’ve migrated. But if you switch music from a major key into a minor key, the tonality will shift from a happy-sounding to a sad-sounding piece of music.

Transposing music means to change the overall position of the music, thus, changing its sound.

Adjusting the pitch, on the other hand, is a slightly different beast. Changing the pitch of every note in a musical passage by one semi-tone, for example, will likely create dissonance.

Dissonance is a fancy word for, “it just won’t sound quite right.”

This is the case because the distance between notes changes depending on the key signature. For example, C to D is different by a full-tone, whereas E to F is just one semi-tone.

Looking at the keyboard above, going from C to C# is one semi-tone, (a half-step), whereas going from a C to a D is a whole-tone (full-step).

Thankfully, GarageBand comes with the ability to change the key of a specific passage when adjusting music from a MIDI keyboard or your laptop’s keyboard, rather than just adjusting the pitch.

How to Change The Key Signature (Pitch) Of An Audio Track

1) Double-click on your “Track Header,” and bring up where it shows your plug-ins down below in the “Smart Controls” settings.

2) Now go into your Plug-In options and choose the one that says, “Pitch.”

3) Choose “Pitch Shifter.”

4) Now you can select how by many semi-tones your “Audio” recording is either increasing or decreasing.

5)Make sure you turn the “Mix” option, up to 100%, that way it minimizes the original notes playing, and accentuates the pitch-corrected version.

The big problem with this, I find, is that it doesn’t sound nearly as good. It’s an imperfect transposition, because it changes every note by exactly a semi-tone or a full tone, rather than changing the notes so it fits in a particular key signature.

In other words, some of the notes will sound dissonant.

Another thing you can do is change the pitch using the “Pitch Correction function.”

How To Change The Pitch Using Pitch Correction

1) You do that by sliding the “Pitch Correction” bar to either the right or the left, depending on whether you want it to increase or decrease.

Another Way For Changing the Key (Pitch) Of Vocals.

1) Double click on your “Audio” vocals in GarageBand.

2) Open up a new “Track Header,” that says, “New Track With Duplicate Settings.”

3) Now go into where it says, “Voice,” on the left-hand side.

4) Click on, “Compressed Vocal.”

5) Now go into your “Smart Controls,” and select the option in the top of the bottom-right-hand corner that says, “Pedals Button,” when you hover over it with your “Quick Help Button” turned on.

It’s kind of hard to see, but I have the “Pedals Button,” circled with a black circle. It’s on the top-right-hand corner.

6) This will bring up a whole bunch of Analog-style pedals that people use when doing Analog rather than digital recordings.

7) Click on the Drop-Down Menu where it says, “Manual.”

8) Go down to “Pitch,” and change the pitch of the song to what you want. For the sake of an example, we’ll choose “Octave Up.”

9) That will make your vocals a lot higher, or you can choose one from the other 14 options listed.

That’s how you change the key signature or the pitch of your recordings in GarageBand. For the sake of clarification, I wrote a brief explanation of what key signatures exactly are, and how to go about using them.

It’s just an introduction, but it should help if you’re confused.

What Are Key Signatures And How Do I Use Them?

A key signature is a collection of all of the accidentals (sharps and flats) within a scale.

For example, a scale has seven notes. We’ll use the C Major Scale to illustrate the point.

The C Major Scale has 7 notes, beginning from C: C, D, E, F, G, A, B, and then C again.

From left to right, the scale is pictured below:

Assuming you’re a total beginner, the notes on top are the official musical notation, whereas, the numbers below are guitar tablature. There are serious advantages to learning how to read music as well as tablature if you’re a guitar player.

(I can’t lie to you, however, I’m a lot better at reading tablature, as I’m sure a lot of other people are).

Beside the treble clef, you’ll notice there aren’t any sharps (#) or flats (b). In the Key of C Major, there are none, but, if we were to transpose the key up to E Major, it would change.

In Key Of E Major, there are four sharps: F, C, G, D.

From the order of left to right, you can see there are four sharps, F, G, C, D. The scale below is an E Major scale written in the corresponding tablature for the guitar.

Technically, this piece of music is written so that it’s still in the Key Of C because there aren’t any sharps and flats written beside the Treble Clef, which is the thing that looks like a sophisticated G on the left side of the 4/4 symbol (time signature).

Now, I’m going to write the music so it’s in the Key Of E Major. Beside the Treble Clef in the image below, I’ve put a circle around the four sharps, which indicate this piece is in the Key Of E.

Whenever you see 4 sharps before a piece of music, you know it’s in the Key Of E.

Also, you can see that you don’t have to write the sharps beside the music notes anymore. There’s no need for that because the music reader knows we’re in the Key Of E, therefore, anytime you play an F, C, G, or D, those notes have to be played one semi-tone higher.

There’s nothing overly sophisticated about a Key Signature. Essentially, it’s just a way of communicating the range in which the pitch of the song lies.

In other words, you know how high the song is on your guitar fretboard, or you know how high it is up on the piano keyboard.

What Is The Purpose Of A Key Signature

The purpose of a key signature isn’t to confuse up-and-coming musicians, although, I know it can feel that way.

The purpose of the key signature is, essentially, to minimize the number of sharps (#) and flats (b) written in a piece of music. If there were no key signatures, a composer would have to write a sharp and flat on many of the notes, which would be pretty time-consuming.

Conclusion

This is just a very brief introduction to key signatures in music theory. If you want to learn more basic theory, I recommend heading over to musictheory.net, as well as picking up a copy of Mark Sarnecki’s book, The Complete Elementary Rudiments, which you can read about in my post of all my most recommended products. I believe it’s the last entry in the list.

What is Audiobus? — Audiobus isan award-winning music app for iPhone and iPad which lets you useyour other music apps together. Chain effects on your favouritesynth, run the output of apps or Audio Units into an app likeGarageBand or Loopy, or select a different audio interface outputfor each app. Route MIDI between apps — drive asynth from a MIDI sequencer, or add an arpeggiator to your MIDIkeyboard — or sync with your external MIDI gear.And control your entire setup from a MIDI controller.

Download on the App Store

Audiobus is the app that makes the rest of your setup better.

Hello all. After my last band folded I got kinda bummed and 'withdrew' from all things musical. I sold my old Muse Receptor and moved on with my life. After being away from all this stuff for like 4 years I recently got contacted by an old bandmate and I am getting the itch again.

Before my last band collapsed, I was using (in addition to my vocal gear as singing is my primary thing) an M-Audio Axiom Pro and a Roland AX-7 driving an early Muse Receptor. I have since sold off my Receptor but still have the Axiom and the Keytar.

For some time back then I was toying with the idea of an iPad-based rig. I just totalled up all the music app purchases I made back then and it shocked me so I figure with that investment, I owe it to myself (with a potential venture in the works) to revisit this.

iMIDIPATCHBAY seems to be the thing that was missing from the equation back in the day: a way to tie the apps into a cohesive setup with a controller.

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So who out there is using iPads in a live keyboarrd rig setting and what has your experience been like? Receommendations? Pitfalls? etc.

Thanks!

Mike

Comments

Garageband Ipad Transpose

• Hi Mike,

  I used to use my mac with mainstage and loads of expensive plugins and string samples. Now I only use an ipad pro 12' live and play live every week. I use AUM to host my apps (iSymphony Orchestra for strings, Galileo for Hammond, Korg iM1 Synth, PPG Phonem, and Neo Soul for Rhodes). I use Midi designer as my midi controller, I use Midiflow as a midi anything modifier (routing volume pedals to expression, change velocity curve of Neo Soul, transpose up an octave Galileo, key range on iM1 etc etc) and finally Korg Plugkey hardware for audio out of the lightning socket, not the built in headphone socket. Not had a problem yet. Also now using the split screen feature of midi designer and a 12' screen - in landscape mode, I have my midi controller on the left, and lyrics/chords using 'ONSONG' on the right. Amazing sounds.

• I will add to @rhaley Midiband, iRealPro+Xmure combo and Bsmk16 for arranging approach. Also korg module, synthmaster, sensual sax, iMini, iPolysix and garageband alchemy.
  If you need audio loops backing tracks then blocswave+launchpad combo and LooptunesHD for use it with your axiom instead needing a launch controller.
  Midi wrench, audioshare and AB(3 soon) as tools.
  For live looping Group The Loop for arranging songs with structure or Loopy masterpiece when it arrive.

• I play in a wedding band (so strictly covers). My setup still consists mainly of hardware devices but my iPad is hooked up to my main keyboard via midi which allows additional sounds and easy layering options. I use a lot of what was mentioned above: Korg module with the Triton IAP is my main app, I use this with the setlist feature to quickly switch sounds, iSymphonic, Magellan, Noisepad for beats/samples, Beathawk, and a few others for fun. I have imidipatchbay but I am not currently using it.
  I tried running a rig strictly with controller keyboard and iPad but had crashing and noise issues. More simple setups will work best with consideration to CPU. Overall I was not able to compromise the reliability of hardware since I am playing first dances and moments that cannot be relived! I know other guys run strictly iOS rigs without issue but my peace of mind is best kept in tact with a combination of hardware/software.
  Current setup:
  Korg Microkorg XL+
  Roland RD 64 connected to iPad via ik multimedia irig 2
  Yamaha MG06x mixer

• i play live with casio px5 sound, and use ipad as an expander for some sounds. imidipatchbay is very good to manage app (i think also midiflow is similar). but one very important thing to know is that if you want to change preset automatically from imidipatchbay or similar the sound app that you use have to support bank/prog change to change preset. and unfortunately not all the apps support this (a 50% maybe). for example, from what I know, no arturia app support progam change, so the only way to change preset is in his own panel, and it isn't conmfortable.
  read this https://forum.audiob.us/discussion/3894/bank-select-via-midi-ios-synths

  i primarly use galileo for hammond, im1 and sampletank for general sounds, sunrizer or drc for synth, ibs 16 for string soundfont.

• Wow thanks guys. This seems to be the most active forum around for this kind of usage.

  Ya hrestov, I may have pulled the trigger prematurely on iMIDIPATCHBAY: its a great little app, but I didnt do my homework: it seems to be that there has been very little progress in the past 4 years with iOS synths responding to MIDI patch change. I would have thought things would be in a lot better shape at this point.

  I like the idea of using the lightning connector for audio. I will have to look into that further.

  I am very glad to finally find some folks who are actually doing this live!

• More info on where I am at. I currently have an iPad 2 and an iRig MIDI adapter but if I can prove it can be the basis of a workable setup I will be in the market for an iPad Air 2 and I will likely go with the Yamaha bluetooth MIDI adapter, at least for the keytar.

  Below is a list of apps I have already acquired:

  • Alchemy
  • AniMoog
  • Audiobus
  • Beatmaker 2
  • Bismark bs16i
  • CoreSynth HD
  • DM1
  • Figure
  • Gadget
  • Galileo
  • GarageBand
  • iElectribe
  • iGrand Piano Free
  • iMaschine
  • iMIDIPATCHBAY
  • iMini
  • iMPC
  • iMS-20
  • iPoly6
  • iPro DJ Sampler
  • iRig MIDI Recorder
  • iVoxel
  • Live FX - DJ Effects Free
  • MIDI Designer Lite 2
  • MIDI Monitor
  • MIDI Studio
  • Music Tool LE
  • NanoStudio
  • Neo Soul Keys
  • NoisePad
  • Novation LaunchKey
  • Novation LaunchPad
  • OnSong
  • ReBirth
  • SampleTank
  • Sound Prism
  • SSSSynth
  • Stringmaster
  • Sunrizer
  • Sylo Synthesizer
  • SynthStation
  • TableTop
  • Thor
  • Traktor DJ
  • Tuner+
  • Turnado
  • Virtual Guitar Free
  • VJAY
  • Voice Synth Free

• I use my iPad Air 2 as a live keys rig. I have found it to be very stable! Some details:

  • I use AUM to host all of my apps/effects
  • I use SampleTank for pianos (an occasionally other misc sounds)
  • I use iGrand as a secondary piano
  • I use Poison 202 for pads & leads
  • I send my pad to a bus and run it through Crystalline to give it some nice shimmer (which i can fade in/out as desired)
  • My favorite delay is RP-1
  • I'm trying to use AU for as much as possible.
  • I use an iRig BlueBoard for a quick way to mute sounds and toggle delays on and off
  • I use the faders on my Novation LaunchKey to mix my AUM channels and the knobs to adjust parameters such as low pass filters
  • I use a bunch of additional apps depending on the set

• Haha, good you posted that, I was just about to.

• Thanks guys!

  I just acquired a new iPad, and have a Yamaha BT-01 on order. Not much for accessories for this yet.. I have to wait until the 10th to even get the apple case for this. #canadianproblems

  Anyone have a recommendation on a universal ipad mic stand holder?

• well, I will be using it locked in landscape exclusively, but what is this rotation bug? I didnt see this yet, nor on my iPad 2 running an older iOS.

• So I have run into a couple issues/limitations with iMIDIPatchBay trying to use it in this fashion:

  Setlists: a great feature, in theory, however in practice, not so much:
  - You cannot backup your setlists to dropbox like you can the patches (not a dealbreaker but it really should be an option)
  - The patch numbers for setlist songs change when you re-order them, making external MIDI PC pretty much DOA. I would have to switch patches using iMIDIPatchBay. Am I missing something here?

  Multiple Masters: After wasting $14 CAD on unlocking the multiple masters IAP I discovered its essentially useless (to me). While you can have multiple master keyboards running on different MIDI channels, the app essentially sums it the inputs: I cannot route a MIDI master input channel to a particular instrument slot. This is an issue because on my physical MIDI controllers (Axiom, Ax7) I want to be able to quickly switch tones during a performance. For example, on my AX-7 each patch has an Upper and lower which I can layer or split or simply flip between. While I could transmit on the same channel and transpose the octaves and do essentially an iMIDIPatchBay split to do the two sounds, this is cumbersome - I then have to do an octave transpose in iMIDIPatchBay as well to compensate.

  I am beginning to think that there is no single app that allows me to do what I want.

• Another update - my bluetooth MIDI adapter arrived. Yamaha MD-BT01

  I plugged it in and had to use iM1 to get the bluetooth MIDI up and running on the iPad. The signal however was very unreliable. Worked fine on my Axiom tho just not on the AX7. Maybe USB/AC powered VS battery powered?

  Anyways, I ran the Yamaha app and updated the firmware and all was good. Range was decent as well.

• edited May 2017

  I have a very simple live setup - iPad 2 running iM1 hooked up to an M-Audio Keystation 61. I need an easy way to change sound patches during a song. Suggestions?

  Thanks!

• @egdnola said:
  I have a very simple live setup - iPad 2 running iM1 hooked up to an M-Audio Keystation 61. I need an easy way to change sound patches during a song. Suggestions?

  Thanks!

  iM1 accepts MIDI program changes so you could use your keyboard to change patches. I don't think your keyboard sends PC out of the box so you may have to use Midiflow or Midibridge to convert the message - you could for example use the bottom key on your keyboard to change to the next patch.

  Korg doesn't seem to list the details for changing banks but I found some useful info here: https://support.korguser.net/hc/en-us/community/posts/202943530-How-to-midi-control-iM1-programs-

• @egdnola said:
  I have a very simple live setup - iPad 2 running iM1 hooked up to an M-Audio Keystation 61. I need an easy way to change sound patches during a song. Suggestions?

  Thanks!

  iM1 is multitimbral, so I would fill up the slots with the different sounds from the song, one in each slot, and each slot has its own midi channel. Then change midi channels on the keystation to change sounds. That setup has the nice side effect of the tail of a sound not getting cut off when you switch to another sound.

  Then make a separate 'program' or whatever they call it (the preset with a saved group of sounds in the slots), for each song.

  If you need to layer two sounds, then put them on the same channel, and they will both play.

• @Processaurus said:

  @egdnola said:
  I have a very simple live setup - iPad 2 running iM1 hooked up to an M-Audio Keystation 61. I need an easy way to change sound patches during a song. Suggestions?

  Thanks!

  iM1 is multitimbral, so I would fill up the slots with the different sounds from the song, one in each slot, and each slot has its own midi channel. Then change midi channels on the keystation to change sounds. That setup has the nice side effect of the tail of a sound not getting cut off when you switch to another sound.

  Then make a separate 'program' or whatever they call it (the preset with a saved group of sounds in the slots), for each song.

  If you need to layer two sounds, then put them on the same channel, and they will both play.

  this is why I love Im1 ..as bonus all the IAP's also got transferred to Korg Gadget ..although Korg says otherwise

• edited May 2017

  Update

  First show this past weekend - light usage this time; I am gradually working keys into the setlist as vocals is my primary duty.

  My config:

  Hardware
  Roland AX7 Controller
  Yamaha MD-BT01 Bluetooth Adapter
  iPad 2017 32GB

  Middleware
  OnSong for lyrics and notes - I have it setup to send MIDI PC info to the relevant channel based on what song is selected

  Synths
  Korg iM1
  Animoog
  Poison-202
  Sunrizer
  Magellan

  Post-mortem
  Worked well enough, though it still feels a bit clunky. I would like to figure out a way to further streamline things.

  While Animoog responds to PC msgs it has a couple issues that make me think I will ditch it:

  1) It is not as stable as I would like. For the second time using it now in a show/rehearsal situation, it was non-responsive. I will likely get in the habit of shutting down and restarting all synth apps pre-show.
  2) It is locked to a specific DEVICE transmitting AND a specific channel. This means I cannot get it to respond to performance data from the AX7 (over the bluetooth adapter) while simultaneously listening for PC changes from OnSong. This may be an issue going forward.

  As a related aside, except for Animoog which behaves as above, the synths are getting sent PC info twice: once from the AX7 when I change patches (no way to disable this AFAIK) and once from OnSong. I think I would like to streamline this to reduce any chance for weirdness.

  I am strongly considering introducing MIDIFlow into the setup and route everything through it. I do wish more apps recognized and responded to PC msgs

• @MonzoPro said:
  With the rotation bug? Live use is impossible.

  Nothing is impossible.
  

• @MonzoPro said:
  With the rotation bug? Live use is impossible.

• @Dubbylabby said:

  @MonzoPro said:
  With the rotation bug? Live use is impossible.

  That's more like it

• edited May 2017

  It only needs a photoshopped apple logo over the shit to be perfect but I'm lazy tuesday afternoon :V

• Im using my iPad pro 12.9 inch with CCK and Sledge 2.0 black edition in church on top of the organ

• Your mysterious and still-not-explained-'rotation bug' has not an issue btw.

• @hrestov,

  I see you're using iMIDIPatchbay and Galileo. I'm trying to incorporate Galileo into my setup (that already uses iMIDIPatchbay for program changes, splits, etc. with two keyboards and a rack module).

  I can't get Galileo to respond to MIDI in messages (from iMIDIPatchbay) unless I set it to receive on channel 1. For example, if I set Galileo to receive on channel 4 and iMIDIPatchbay to send on channel 4 (with Galileo assigned to Extern x in iMIDIPatchbay), Galileo does not respond.

  Also, I can't get Galileo to respond to program changes sent from iMIDIPatchbay, even using channel 1. I'm using MSB=5, LSB=O, Program=5, to try selecting the 'Red Light' preset.

  If you've been able to accomplish either thing I'm trying to do, please let me know if there's something I'm missing. Thanks!

• Ah, I have sadly ditched iMidiPatchbay as it does not really meet my needs. I am using OnSong song changes to send MIDI program change data now. I also found Galileo a bit unwieldy for live use.

  I in my live setup I am using OnSong which pushes out PC messages to: iM1, Animoog, and Poison-202. I am soon looking to incorporate SampleTank (for acoustic bass sounds unless someone can make a better suggestion).

  I also want to add IMonoPoly but there is no info on what the LSB/MSB info should be for that synth even tho t supposedly responds to PC.

  I was able to reproduce your issue tho. Not sure what is going on there

• Hello, nice forum. My first post here.
  I'm using Puc+ as an bluetooth interface with my iphone to use Neo soul keys and others..
  Anyone using this interface ? you can check it at amazon, i have some important gigs to me soon and i'm wondering if this is a safe interface to use in live concerts

• I use my ipad as my main keyboard rig weekly. I have a few rules though: I only use AU hosted in AUM of course. Ravenscroft, Zeeon, Neosoul keys, isymphonic, ns1 and TONS of effects to shape my sounds. Save BEFORE you disconnect your midi controller, and connect again before opening preset, and all your midi mapping will be saved. Easy, no hassle, stable keyboard rig.